Fabienne Verdier

Vortex

6 October - 24 November 2020

Fabienne Verdier at Waddington Custot London 2020
Fabienne Verdier, Deh, vieni a consolar il pianto mio 2020 acrylic and mixed media on canvas, 183 x 135 cm, © The Artist, Images courtesy of Waddington Custot

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Waddington Custot present 'Vortex', a remarkable new series by the celebrated contemporary abstract painter, Fabienne Verdier. 

Through her work, Verdier gives physical form to the usually invisible and intangible forces within nature, incorporating a wide range of natural phenomena, from gravity and kinetic energy to sound waves and vibrations. In these large-scale paintings, seen for the first time at Waddington Custot, Verdier continues her exploration into the painting of sounds and music, in particular the visual representation of breathing techniques employed by sopranos performing Mozart’s arias. The Vortex paintings are characterised by a single large, whirling helix, which dominates the composition and echoes the ascendant scaling sound of an aria.

Fabienne Verdier at Waddington Custot London 2020
Fabienne Verdier, Deh, vieni alla finestra 2020 acrylic and mixed media on canvas, 183 x 135 cm © The Artist, Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Fabienne Verdier, La reine de la nuit III, 2020, acrylic and mixed media on canvas, 183 x 406 cm © The Artist, Images courtesy of Waddington Costot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot
Fabienne Verdier at Waddington Custot London 2020
Images courtesy of Waddington Custot

Biography

Fabienne Verdier (b. 1962, Paris, France) is an abstract painter who explores the dynamism of forces in nature, movement and immobility by drawing on her intimate knowledge of techniques and traditions of both Western and Eastern art. Verdier paints vertically, standing directly on her stretchers, using giant brushes and tools of her own invention suspended from the studio ceiling. Her work combines Eastern aspects of unity, spontaneity and asceticism with the line, action and expression of Western painting. As a young art school graduate, Verdier left France for China in 1985 to study the art of spontaneous painting and other Eastern traditions with some of the last great Chinese painters who survived the Cultural Revolution. Her adventure and immersion as an apprentice painter would last nearly ten years, recounted in her 2003 book, ‘Passagère du Silence’.

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