Characterised by subtle layers of light and colour, the filigree-like paintings and drawings of Hannah Murgatroyd centre on figures, structures and landscapes inspired by sources both ancient, modern and, yet to-exist. Moving within a circular narrative of large and small-scale paintings, her mise-en-scène of single figure, multi-peopled and unpeopled compositions pivot between interior and exterior worlds, open to the dual possibilities of abstraction and representation.