Anna’s paintings and collages take the form of small-scale abstractions that flirt with references to landscape. Using the horizon symbolically, she is “interested in “the limits of recognition and understanding, and the yearning to transcend these limits.” The ephemeral nature of a horizon, always receding from our vision creates a natural tension of the need to attain beauty. Moser aimes to “mine this interval in my work, unsettling the refined aesthetic of minimalism with unevenness, awkwardness, asymmetry, and play.” Moser explores colour as a sociological tool to express certain emotions and associations.